Against The Grain (Sculpture by me)

Against The Grain

(Sculpture by me)

2010

2010

2010

2010

Avenue 2100 A.D.
Avenue 2100 A.D.

Avenue 2100 A.D.

The Madre.

The Madre.

For Those In The Know

For Those In The Know

Inside (self portrait)

Inside (self portrait)

We All Die Alone

We All Die Alone

No Evil (Self Portrait)

No Evil (Self Portrait)

Photosynthesis (Self Portrait)

Photosynthesis (Self Portrait)

My print in the Hanoi edition of The Word, Vietnam.

My print in the Hanoi edition of The Word, Vietnam.

I’ve been having trouble with ‘ghosting’ recently! Any ideas how I can get these guys to stop showing up?
I’ve been having trouble with ‘ghosting’ recently! Any ideas how I can get these guys to stop showing up?

I’ve been having trouble with ‘ghosting’ recently! Any ideas how I can get these guys to stop showing up?

There are lot’s of photographers working with ‘light painting’ techniques at the moment; using LED torches and other light sources to create vividly colourful and abstract images. I have enjoyed using the technique quite a few times but here I wanted to utilise the same notion but using only the natural light available and the controlled movement of the camera, during a long exposure. These two images were taken on Wimbledon Common.                                                                     
There are lot’s of photographers working with ‘light painting’ techniques at the moment; using LED torches and other light sources to create vividly colourful and abstract images. I have enjoyed using the technique quite a few times but here I wanted to utilise the same notion but using only the natural light available and the controlled movement of the camera, during a long exposure. These two images were taken on Wimbledon Common.                                                                     

There are lot’s of photographers working with ‘light painting’ techniques at the moment; using LED torches and other light sources to create vividly colourful and abstract images. I have enjoyed using the technique quite a few times but here I wanted to utilise the same notion but using only the natural light available and the controlled movement of the camera, during a long exposure. These two images were taken on Wimbledon Common.                                                                     

Abandoned Asylums

Abandoned Asylums